Paint is a sensual and seductive substance. There are great artists who have attempted the impossible task of going against this attribute (I think in Wilhelm Sasnal or Eduardo Alvarez), producing dry and harsh works. But it is a hard task.

While opening a can of 4 liters of synthetic enamel, for example red, the color circle that appears reflects a heady brilliance and intensity. And if you add a dash of green and other of white, for example, the sharp drops at the beginning and then the infinite variety of shades that start to appear when mixing the colors, is a way of happiness. 

This happiness, opposite to Alvarez in scale, is proposed by Miani with her work. Yes, is a celebration of the optical and stimulating qualities of the color, and also of painting. This is possible to experience and moreover, to generate a bit of intrigue, in a Patricia´s recent work that does not appear on this page that is gray!). Looking her work is possible to follow the action of the artist, depositing and manipulating the paint on the surface, and in the subtle changes that the colors experience when they are combined.

Miani always talk about nature as the main inspiration in her work. Undoubtedly, this is what her paintings are, and are also landscapes. They are dreamy landscapes, of a latent narrative. 

I believe that her paintings are the emotional states of stories that will never be told. The landscape background of fairy tales, stripped from any anecdote.